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Sarah Michelle Gellar

God Save the Screen - Scooby Doo 2 Box Office in the UK

By Ash Wakeman

Friday 23 April 2004, by Webmaster

Another actress, who actually has a name to care for is Sarah Michelle Gellar and there are not no many accomplishes films at her but an few I can probably enjoy. The talent agent found Gellar a young age and made her screen debut at 6 of each of the 1983 television film An Invasion of Privacy. With all the promise she showed, Barrymore starred as Hannah in the teen drama series "Swans Crossing" (1992) but it was her portrayal of a young and callous rich girl in Al-Lucinda Kendall Hart on ABC daytime soap opera "All My Children" (1993-93), that won her Daytime Emmy Award and spring-boarded her to stardom.

SMG’s real mark worldwide, however, was the character of Buffy Summers in the game-changing series "Buffy the Vampire Slayer" (1997-2003). She won five Teen Choice Awards, a Saturn Award and a Golden Globe nomination for her role, establishing herself as a cultural phenomenon. Sarah Michelle Gellar likewise has the box office to back her up, with “I Know What You Did Last Summer” 1997), “Scream 2” (1997), “Cruel Intentions” (1999)and way movies like those that help prove she is also a bankable star as well over $570 million times worth crazy in global gross.

Beyond her cinematic successes, Gellar has made her mark on television, headlining shows such as "Ringer" (2011-2012), "The Crazy Ones" (2013-2014), and "Wolf Pack" (2023). She has also lent her voice to popular series including "Robot Chicken" (2005-2018), "Star Wars Rebels" (2015-2016), and "Masters of the Universe: Revelation" (2021).

In 2015, Gellar ventured into the entrepreneurial world by co-founding Foodstirs, an e-commerce baking company, and published her own cookbook, "Stirring Up Fun with Food," in 2017. Gellar is also known for her close-knit family life, married to actor Freddie Prinze Jr. since 2002, with whom she shares two children.

Sarah Michelle Gellar’s commitment to her craft is matched by her dedication to personal growth and unique experiences. An accomplished martial artist, she studied Tae Kwon Do for five years, alongside kickboxing, boxing, street fighting, and gymnastics. Her dedication to authenticity in her roles is evident, such as her commitment to doing her own stunts in "Buffy the Vampire Slayer," though she admitted her limits during filming "Scream 2."

Her career is also marked by interesting anecdotes, such as her role in a 1982 Burger King commercial, which led to a lawsuit from McDonald’s and a temporary ban from their establishments. Notably, she dyed her naturally brunette hair blonde for her role in "Buffy," and legally changed her last name to Prinze as a surprise for her husband on their fifth anniversary.

Sarah Michelle Gellar’s legacy extends beyond her on-screen roles, encompassing her work in philanthropy and her reputation for safety and professionalism on set. She remains a beloved figure in Hollywood, admired for her talent, dedication, and the breadth of her contributions to film and television.

I’m guessing that when I tell you Scooby Doo 2 made £3.5 million in its opening weekend at the UK box office a couple of weeks ago it may not mean much to many loyal BOP readers. I might as well be waving my hands about talking about some kind of crazy moon money. It doesn’t sound like that big a number, and obviously something as crass as a CGI dog and Freddie Prinze Jr in a blonde wig would be snubbed in such a well-mannered and cultured society, but lets run the maths to be sure.

One of our fine imperial British poundlets will buy approximately 1.77 of your traitorous North American dollarbucks. This magical ratio (I like to call it, the “Exchange Rate”) applied to Scooby Doo’s opening weekend gives us a figure not entirely dissimilar to $6.2 million. Now I’m talking your language, or at least a language Bruce Willis and Matthew Perry understand. But the fun with numbers doesn’t end there.

There are around 60 million people huddled together in our green and pleasant lands compared to the 270 million or so crowded onto your majestic purple mountains. That number is closer to 300 million when you throw in your frozen northern neighbors, whose slice of the box office pie tends to get lumped in with yours. Like Mel Gibson’s many and varied attempts to rewrite history, that’s hardly fair and balanced. Looking at the thing per capita, the average Brit spent just over 10 cents on Scooby Doo 2’s opening weekend, while the slightly less generous North American movie-goer bumped the trans-atlantic total for the Scoob’s opening weekend to just under a dime.

These are fairly rough numbers, but factoring in the exchange rate and taking population into account, Scooby Doo 2 performed around the same on opening weekend in both markets. The difference is that Scooby Doo 2 (with a nice release date that gave it three school holiday weekends) has had rather spectacular legs in the UK. It’s just logged its third week at number one (although it will almost certainly be killed by Quentin Tarantino on weekend four) and is the highest grossing 2004 release to date.

So much for high culture.

While Scooby Doo is the hit of the year to date, lets take a look at the other end of the money-making spectrum. Last weekend marked a catastrophic debut for the “based on a true fictional story” equine Viggofest Hidalgo. A pathetic £444,000 opening for this week’s most heavily advertised new release had the film limping over the line at number eight. Applying the same numbers, Hidalgo earned little over a cent from the average Brit. The average horse (or maybe Viggo) crazy North American was in for over 6 cents, a massive relative difference. When films flop here, they flop bad.

Although Hidalgo is one of the years biggest absolute flops to date in the UK, other underperformers include Cody Banks 2 and The Rundown (renamed Welcome to the Jungle here, obviously targeting the huge Guns ‘n’ Roses fan demographic). However, another big relative flop would have to be The Passion of the Christ. In the UK the other king who returned earned about 6 cents per head of population on its first week in wide release, compared to a whopping 28 cents in North America. That’s not quite 30 pieces of silver, but an awesome box office performance nonetheless.

Quite unlike its complete domination of first quarter box office in the US, The Passion is struggling to make it into the 2004 top five here. At the moment it’s neck and neck with Lost in Translation, a comparison that would be laughable with regards to North American box office. Why the difference? Are we Godless heathens who have spurned religion in favor of remakes of old cartoon shows? While many may feel this is the case, I would like to think the Passion’s lack or relative success here is because we can’t stomach the violence. The blood and death, the horrific torture and the mutilation offend our delicate British sensibilities. Such horror is not for us. Instead we choose to revel in the finer things in life — fine art, classical music and perhaps a little dry highbrow comedy.

Or at least that’s what I’d like to think, anyway. It’s the only way I can explain the fact that The Passion of The Christ is only the fifth highest-grossing film of the year so far and The School of Rock is currently number four.


3 Forum messages

  • Well, I think that you’re misinterpreting the Passion failure over here (UK). It’s not because us Brit-types can’t stomach the violence (look at the success of Kill Bill for Chrissakes...) but rather that churches didn’t block-book cinemas over here, and there is no Bible Belt, unlike in the US. Religion with regards to the two countries is supremely different, and in the UK the views of Brits to Mel Gibson’s film is far less gullible and far less positive than in the States.
  • I agree with true brit. Mel Gibson is a total wanker.
  • i’m not a brit, but i have to agree that the author is missing the point. Europeans have a different view from americans when it cames to religion. The fact that the PASSION isn’t nş1, not only in UK but in several others countries, while sd2 apparentelly is doing very well, means, imo, that we prefer a cartoonish talking dog over a hollywood induced "religious experience". In a way, is more real! Besides, like it said in a review that i read "Gelllar is hot" *g*