Dr. Horrible’s Sing-Along Blog

Brian Wiser: I’m Brian Wiser and I’m speaking with Michael Boretz, producer of Dr. Horrible. Thanks for joining us Michael.

Michael Boretz: You’re very welcome.

BW: You worked with Joss for a number of years before Dr. Horrible. Can you tell us a little about your history with Joss and how you came to work for him?

MB: I was working on a Sony movie as a production secretary called Identity with John Cusack, Ray Liotta, and Amanda Peet. The producer’s assistant, a guy named Rupert Cole who was a friend of mine, was going to try to bring me on as the producer’s second assistant. That didn’t work out because he stopped working for her. While I was back home at a golf outing with my family, I got a call from Rupert saying that his roommate, Kelly Wheeler, who I had met once before, was the producer’s assistant on Buffy, and that Joss Whedon was looking for an assistant. I wasn’t very well versed in Buffy or Angel (Firefly wasn’t out yet at that time) so I had to do a little bit of research. I wound up trying to memorize all the seasons’ arcs before my interview. I was very nervous. And then when I met with Joss we didn’t talk about any of that stuff. I think he picked me over the other person he was considering because, quite frankly, I didn’t frighten him or possibly I made him laugh. At one point I remember in the interview I could tell he was starting to get a little bored so I tried to make him laugh and it worked. I attribute landing the job to that moment.

BW: I think it’s always a good idea to show the interviewer that there is an actual live, creative person on the other end, so that was very smart.

MB: Yeah, I was grateful he didn’t have me quote Buffy, but I don’t think that was the most important thing for Joss. I think he just wanted somebody he felt had good organization skills and someone he saw playing more of a producer role one day. So that was how I came to work for Joss and I worked as his assistant for a period of about five years while he had three shows on the air, through Serenity up until recently.

BW: That’s an incredible opportunity you’ve had to see things from the inside perspective of how Joss’ mind works. Having spent so many years with Joss, what are some things you may have learned from him that may have influenced your approach to producing Dr. Horrible?

MB: Well, working with Joss for so many years on multiple projects allowed me to be able to understand what he was looking for creatively and how to communicate that vision to others. This gave me the ability to be an effective producer for him. The script and the songs were already written by Joss, Jed, Maurissa and Zack when he called me in to talk about this musical short project he wanted to do. He had seen my short film Splitting Hairs which I had done and put together while I had worked for him. He was nice enough to give me the time to work on it, and I shot Splitting Hairs while he was in post production on Serenity. So he had seen my short, known what I was capable of, and asked me to help him with Dr. Horrible. And what I did was immediately start to think of key crew who would be willing and able to help us with this project. Since he didn’t have a whole lot of money and was funding it himself, it was important that we got people who were not only willing to help us out, but also people who were very familiar with how Joss works. Lisa Lassek agreed to edit it and Shawna Trpcic who did costumes for Angel and Firefly jumped aboard as well. Loni Peristere from Zoic agreed to do the VFX and I brought in my production designer from Splitting Hairs, Alethea Root. We also brought on as our director of photography Ryan Green who was our camera operator on Serenity. So it was helpful having those years of experience to know the people, and then once they were hired, to be able to communicate effectively with them to relay Joss’ vision and help facilitate getting us into production quickly.

BW: Joss called in favors such as getting a discount on the Universal backlot. The way Dr. Horrible was envisioned and with the limited budget and resources you had to work with, what were some of the other challenges you faced getting it off the ground?

MB: We had a limited budget and we just had to make Dr. Horrible at a reasonable amount. I’d say that was our biggest challenge. It was only through the help of those who know Joss and were excited to be part of the project that allowed us to overcome our budgetary restrictions. A lot of the key crew worked for free and others at a reduced rate with the goal that if Dr. Horrible became profitable we would then compensate them. People willing to work on a labor of love and bringing it in on budget was what made the production possible.

BW: It says a lot about Joss that people are willing to do anything and everything they can to help make his projects successful. Having that history with him no doubt helped immensely.

MB: What I’ve witnessed over the five plus years I’ve known Joss is he really inspires people on multiple levels. He’s talented and so obviously the writing itself people love. On top of that he inspires people not only with that talent but when you meet him he’s very charming, he has a great sense of humor, and he’s very down to Earth. It’s kind of amazing. You’re in awe of this guy when you meet him because you expect him to not be so approachable and not so open and warm, and he is. He creates that kind of environment on the set as well. And that’s why people like to come back and continue to work for him and are willing to do favors. So, you have this great working environment on set. You have a lot of fun because the project you are working on has great dialog, it has fun actors, and everybody is on the same page. And on top of that you have this genre bending story with lots of jokes, lots of action, and great songs — it’s a lot of fun. It’s not like we’re all signing up to do some kind of period piece or something that’s just overly depressing, like the American political system.

BW: It would be a very different world if everyone worked the way Joss works. With the sales of the show and soundtrack on iTunes, can you say if you are in the black?

MB: I haven’t seen the books but things are moving in the right direction.

Click on the link for more :

http://doctorhorrible.net/exclusive-interview-producer-michael-boretz/438/