Dollhouse

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You scored 16 episodes of Joss Whedon’s Dollhouse. What was that experience like? Was it a more demanding schedule than a feature film?

Dollhouse was a great deal of fun to work on. Television scoring is very different than film scoring. In a way, television is much more free of pressure: You have to write a great deal of music quickly, which is not difficult when you have no time to second-guess or change direction multiple times. You immediately become inspired to write, simply because you have to, and you can amaze yourself at the speed of the writing that can happen. Again, because there is no choice. That can be useful knowledge when you have a very much longer deadline for a film and you feel you can’t write even one minute of music.

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http://www.paradigmjournal.com/more/music.html